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Heterogenous Spectacles

THEATERTHEATER rehearsal #1

Erika Chong Shuh, San Francisco Theater, theatre photography, theater documentation, rehearsal

Erika Chong Shuh, San Francisco Theater, theatre photography, theater documentation, rehearsal

san francisco theatre, theater rehearsal, theatertheater, devised theatre, theater photography, Leica, theater bay area, Erica Chong Shuch, Ryan Tacata

Erika Chong Shuh, San Francisco Theater, theatre photography, theater documentation, rehearsal

Do you remember the sight we saw, my soul,
that soft summer morning
round a turning in the path,
the disgusting carcass on a bed scattered with stones,
its legs in the air like a woman in need
burning its wedding poisons
like a fountain with its rhythmic sobs,
I could hear it clearly flowing with a long murmuring sound,
but I touch my body in vain to find the wound.
I am the vampire of my own heart,
one of the great outcasts condemned to eternal laughter
who can no longer smile.
Am I dead?
I must be dead.
Charles Baudelaire

Euripides Hecuba/Helen, Stanford Repertory Theater

Rush Rehm directs Stanford Repertory Theater’s presentation of Euripides Hecuba/Helen. Chorus as choreographed by Aleta Hayes.

Rush Rehm, Stanford Repertory Theater, Aleta Hayes, Euripides Helen, Greek Tragedy, Chorus, Stanford Theater and Performance Studies, Stanford TAPS, Stanford Arts, theatre photography, theatre documentation, Roble Gym

Rush Rehm, Stanford Repertory Theater, Aleta Hayes, Euripides Helen, Greek Tragedy, Chorus, Stanford Theater and Performance Studies, Stanford TAPS, Stanford Arts, theatre photography, theatre documentation, Roble Gym

Stanford Repertory Theater, Aleta Hayes, Euripides Helen, Greek Tragedy, Chorus, Stanford Theater and Performance Studies, Stanford TAPS, Stanford Arts, theatre photography, theatre documentation, Roble Gym

SRT’s Euripides Hecuba/Helen 

 

She Bomb – Science Exchange

Palo Alto, Science Exchange, elitism, silicon valley, palo alto photojournalism
We knew the world would not be the same. A few people laughed, a few people cried, most people were silent. I remembered the line from the Hindu scripture, the Bhagavad-Gita; Vishnu is trying to persuade the Prince that he should do his duty and, to impress him, takes on his multi-armed form and says, “Now I am become Death, the destroyer of worlds.” I suppose we all thought that, one way or another.

Robert Oppenheimer: Interview about the Trinity explosion, first broadcast as part of the television documentary The Decision to Drop the Bomb (1965), produced by Fred Freed.

She made beauty all round her

Kauai Mud…

Kauai, Travel Photography, adventure, hiking

Kauai, Adventure, travel photography, Lindsey Dillon, hiking

Kauai, Travel Photography, adventure, hiking

Kauai, Travel Photography, adventure, hiking

Kauai, Travel Photography, adventure, hiking

She made beauty all round her. When she trod on mud, the mud was beautiful; when she ran in the rain, the rain was silver. When she picked up a toad – she had the strangest and, I thought, unchanciest love for all manner of brutes – the toad became beautiful.
C.S. LewisTill We Have Faces

a park, a policeman and a pretty girl

Alonzo King LINES Ballet at the Music Concourse in San Francisco’s Golden Gate Park.  This venue was built in 1900 for concerts at what was called The Spreckels Temple of Music: now simply the Bandshell.

Lines Ballet, San Francisco Dance, site specific dance, Music Concourse, Golden Gate Park, dance photography, site specific art, Jamie Lyons, site specific art, theater bay area, Leica

LINES Ballet in The Music Concourse

All I need to make a comedy is a park, a policeman and a pretty girl.
Charlie Chaplin

The waves fell; withdrew and fell again

Ballet Wave Organ: Alonzo King LINES Ballet’s site specific dance at The Wave Organ on San Francisco Bay...

Lines Ballet, dance photography, san francisco dance, ballet, san francisco bay, wave organ, Leica, Jamie Lyons, theater bay area, site specific dance, site specific art

Lines Ballet, dance photography, san francisco dance, ballet, san francisco bay, wave organ, Leica, Jamie Lyons, theater bay area, site specific dance, site specific art

Lines Ballet, dance photography, san francisco dance, ballet, san francisco bay, wave organ, Leica, Jamie Lyons, theater bay area, site specific dance, site specific art

The waves broke and spread their waters swiftly over the shore. One after another they massed themselves and fell; the spray tossed itself back with the energy of their fall. The waves were steeped deep-blue save for a pattern of diamond-pointed light on their backs which rippled as the backs of great horses ripple with muscles as they move. The waves fell; withdrew and fell again, like the thud of a great beast stamping.
Virginia Woolf, The Waves

haunted in the city I love

Sea Cliff Ballet: a Site Specific Dance by Alonzo King Lines Ballet in Sea Cliff, San Francisco.

Lines Ballet, San Francisco dance, site specific dance, dance photography, Jamie Lyons, Leica, Sea Cliff, San Francisco Bay, site specific art, ballet

Lines Ballet, San Francisco dance, site specific dance, dance photography, Jamie Lyons, Leica, Sea Cliff, San Francisco Bay, site specific art, ballet

Lines Ballet, San Francisco dance, site specific dance, dance photography, Jamie Lyons, Leica, Sea Cliff, San Francisco Bay, site specific art, ballet

I have been both a ghost and haunted in the city I love.
Rebecca Solnit

the end of the land

Sutro Baths: a Site Specific Dance with Alonzo King LINES Ballet.

Lines Ballet, san francisco dance, site specific dance, dance photography, Sutro Baths, national parks art, theater bay area, site specific art, ballet

Lines Ballet, san francisco dance, site specific dance, dance photography, Sutro Baths, national parks art, theater bay area, site specific art, ballet

My childhood landscape was not land but the end of the land – the cold, salt, running hills of the Atlantic. I sometimes think my vision of the sea is the clearest thing I own.
Sylvia Plath

Nature is imagination itself

Nature is imagination itself: Alonzo King LINES Ballet: Site Specific Dance in the trees at Lands End…

Lines Ballet, san francisco dance, dance photography, site specific dance, Lands End, national parks art, theater bay area, ballet, site specific art, Leica

Lines Ballet, san francisco dance, dance photography, site specific dance, Lands End, national parks art, theater bay area, ballet, site specific art, Leica

Lines Ballet, san francisco dance, dance photography, site specific dance, Lands End, national parks art, theater bay area, ballet, site specific art, Leica

The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way. Some see nature all ridicule and deformity… and some scarce see nature at all. But to the eyes of the man of imagination, nature is imagination itself.
William Blake, Letters

LINES Ballet: Golden Gate Park (Horizontal Trees)

A site specific dance with Alonzo King LINES Ballet in Golden Gate Park, San Francisco.

Lines Ballet, dance photography, san francisco dance, golden gate park, ballet, theater bay area, spectaclism, jamie lyons, site specific dance, site specific art, Leica, Michael Montgomery

Lines Ballet, dance photography, san francisco dance, golden gate park, ballet, theater bay area, spectaclism, jamie lyons, site specific dance, site specific art, Leica, Yujin Kim

Lines Ballet, dance photography, san francisco dance, golden gate park, ballet, theater bay area, spectaclism, jamie lyons, site specific dance, site specific art, Leica, Michael Montgomery

At night I dream that you and I are two plants
that grew together, roots entwined,
and that you know the earth and the rain like my mouth,
since we are made of earth and rain.
Pablo Neruda, Regalo de un Poeta

LINES Ballet Chinatown

Chinatown Ballet: Alonzo King Lines Ballet’s site specific dance in San Francisco’s Chinatown .

Alonzo King Lines Ballet, san francisco dance, site specific dance, ballet, Leica, dance photography, dance documentation, Lines Ballet Chinatown, San Francisco Chinatown, site specific art

Alonzo King Lines Ballet, san francisco dance, site specific dance, ballet, Leica, dance photography, dance documentation, Lines Ballet Chinatown, San Francisco Chinatown, site specific art

LINES Chinatown Ballet


不見
古人


不見
來者


天地之
悠悠


愴然
而涕下

陳子昂
登幽州臺歌

Before me,
the ancients
have disappeared

And ahead of me,
I cannot see
the ones who will return

Feeling
the heaven and earth—
remote in time and space

Alone
mournful
the tears are dripping down
Chen Zi’ang (661-702), Song of Climbing a Youzhou Tower

LINES Ballet Behind The Scenes: The Music Concourse

Shuaib Elhassan and Michael Montgomery of Alonzo King LINES Ballet practicing T’ai Chi in The Music Concourse in San Francisco’s Golden Gate Park

Music Concourse, Golden Gate Park, Shuaib Elhassan, Michael Montgomery, Lines Ballet, San Francisco Dance, site specific, site specific dance, san francisco art, san francisco dance, dance photography, T'ai Chi

Music Concourse, Golden Gate Park, Shuaib Elhassan, Michael Montgomery, Lines Ballet, San Francisco Dance, site specific, site specific dance, san francisco art, san francisco dance, dance photography, T'ai Chi

Music Concourse, Golden Gate Park, Shuaib Elhassan, Michael Montgomery, Lines Ballet, San Francisco Dance, site specific, site specific dance, san francisco art, san francisco dance, dance photography, T'ai Chi

Music Concourse, Golden Gate Park, Shuaib Elhassan, Michael Montgomery, Lines Ballet, San Francisco Dance, site specific, site specific dance, san francisco art, san francisco dance, dance photography, T'ai Chi

Music Concourse, Golden Gate Park, Shuaib Elhassan, Michael Montgomery, Lines Ballet, San Francisco Dance, site specific, site specific dance, san francisco art, san francisco dance, dance photography, T'ai Chi

Music Concourse, Golden Gate Park, Shuaib Elhassan, Michael Montgomery, Lines Ballet, San Francisco Dance, site specific, site specific dance, san francisco art, san francisco dance, dance photography, T'ai Chi

Two hands rise, separating into yīn and yáng
Left and right like a yīn and yáng fish
Movement springs from extreme stillness, opening then closing
Relax the shoulders and sit on the leg as if embracing the moon

Two hands form into yīn and yáng palms
Two palms crossed over for locking joints

Wait for opportunity before moving, watch for changes
Create opportunity by following the opponent’s force

Wu Jianquan, son of Wu Quanyou (from a didactic poem quoted by his son Wu Gongzao in Wu Family T’ai Chi Ch’uan (吳家太極拳)), Hong Kong, 1980 (originally published in Changsha, 1935)

Love Me. Love my Umbrella.

Umbrella Dance: Babatunji and Yujin Kim of Alonzo King LINES Ballet under an umbrella at The Music Concourse in San Francisco’s Golden Gate Park

The site was built in 1900 for music concerts at the Spreckels Temple of Music now known as the Bandshell.

Music Concourse, Golden Gate Park, Yujin Kim, Babatunji, Lines Ballet, San Francisco Dance, site specific, site specific dance, san francisco art, san francisco dance, dance photography, umbrella dance, dancing in the rain, the Bandshell, Spreckels Temple of Music, Leica

Music Concourse, Golden Gate Park, Yujin Kim, Babatunji, Lines Ballet, San Francisco Dance, site specific, site specific dance, san francisco art, san francisco dance, dance photography, umbrella dance, dancing in the rain, the Bandshell, Spreckels Temple of Music, Leica, Love Me, Love my Umbrella

Love Me. Love my Umbrella.
James Joyce.

San Francisco itself is art

Wave Organ Dance: Alonzo King LINES Ballet behind the scenes at The Wave Organ in San Francisco.

Shuaib Elhassan, LINES Ballet, San Francisco Dance, Site Specific Dance, The Wave Organ, San Francisco Bay, dance photography, dance documentation

Shuaib Elhassan, LINES Ballet, San Francisco Dance, Site Specific Dance, The Wave Organ, San Francisco Bay, dance photography, dance documentation, Wave Organ Dance

Babatunji , LINES Ballet, San Francisco Dance, Site Specific Dance, The Wave Organ, San Francisco Bay, dance photography, dance documentation, Wave Organ Dance

San Francisco itself is art, above all literary art.
Every block is a short story, every hill a novel.
Every home a poem, every dweller within immortal.
That is the whole truth.
William Saroyan

the stuff of which it is made

Ballet at de Young Museum: Bank of the West and Alonzo King LINES Ballet sharing insights into their artistic process at the de Young Museum, San Francisco

LINES Ballet, san francisco dance, de young museum, LINES Ballet de Young Museum, dance photography

LINES Ballet, san francisco dance, de young museum, LINES Ballet de Young Museum, dance photography

LINES Ballet, san francisco dance, de young museum, LINES Ballet de Young Museum, dance photography
Dance is the only art of which
we ourselves are the stuff of which it is made.
Ted Shawn

LINES Ballet Behind the Scenes: Chinatown

Alonzo King LINES Ballet backstage (or behind the scenes): Chinatown Dance, San Francisco

Alonzo King LINES Ballet, backstage, san francisco dance, site specific dance, dance photography, Chinatown, LINES Ballet Chinatown Dance

Alonzo King LINES Ballet, backstage, san francisco dance, site specific dance, dance photography, Chinatown, LINES Ballet Chinatown Dance

Alonzo King LINES Ballet, backstage, san francisco dance, site specific dance, dance photography, Chinatown, LINES Ballet Chinatown Dance

The Photograph is an extended, loaded evidence — as if it caricatured not the figure of what it represents (quite the converse) but its very existence … The Photograph then becomes a bizarre (i)medium(i), a new form of hallucination: false on the level of perception, true on the level of time: a temporal hallucination, so to speak, a modest (o)shared(i) hallucination (on the one hand ‘it is not there,’ on the other ‘but it has indeed been’): a mad image, chafed by reality.
Roland BarthesCamera Lucida: Reflections on Photography

Path of Steady Success (Euripides Fragment #259)

At noon. on May 9th, 2018 we performed a site specific theatre piece of an unattributed fragment of one of the lost tragedies of Euripides in along the East Palo Alto shoreline.  Informally, the piece is called Path of Steady Success.  This work is part of a larger project called IOTA that brings to life the remaining fragments for the lost plays of Aeschylus, Sophocles, and Euripides.

The weather was sunny, with a temperature of 64℉.  The duration of the performance was 5 minutes for an audience of 4, maybe 6.

Euripides Fragment, East Palo Alto, Classical Theatre, theatre photography, san francisco theatre, site specific theatre, site specific theater san francisco, superfund sites, superfund art

The Fragment
The man on the path of steady success
should not think that he will enjoy
the same luck for ever,
for the god—
if one should use the name ‘god’—
seems generally to grow weary
of supporting always the same men.

Mortal men’s prosperity is mortal;
those who are arrogant
and assure themselves of the future
from the present
get a test of their fortune
through suffering.

Daniel Guaqueta, East Palo Alto, San Francisco Theater, theater bay area, theatre photography, Stanford Theater and Performance Studies, Euripides Fragment, Cooley Landing

Location
There are two active superfund sites in an East Palo Alto residential neighborhood on Bay Street – neither is on the Environmental Protection Agency’s National Priority List.

Rhone-Poulenc, Inc., formerly manufactured pesticides containing arsenic at a plant at 1990 Bay Street . Zoecon Corp., which purchased this site in 1972, produces agricultural chemicals, but no contamination has thus far been traced to their operations. The other site at 2081 Bay Road was a chemicals processing plant called Romic Environmental Technologies Corp. The 12.6-acre site where the plant stood was used for recycling toxic waste, from companies such as Hewlett-Packard, as early as 1956. The facility was closed in 2007 after a series of environmental and safety violations.a

Monitoring wells in this area are contaminated with arsenic and metals such as lead, cadmium, mercury, and selenium. Approximately 58,000 people depend on wells within three miles of the site as a source of drinking water.

Daniel Guaqueta, East Palo Alto, San Francisco Theater, theater bay area, theatre photography, Stanford Theater and Performance Studies, Euripides Fragment

Collaborators
Daniel Guaqueta

Path of Steady Success (Euripides Fragment #259)

John Cage Ten Rules for Students and Teachers

RULE ONE: Find a place you trust, and then, try trusting it for awhile.

RULE TWO: General duties of a student — pull everything out of your teacher; pull everything out of your fellow students.

RULE THREE: General duties of a teacher — pull everything out of your students.

RULE FOUR: Consider everything an experiment.

RULE FIVE: Be self-disciplined — this means finding someone wise or smart and choosing to follow them. To be disciplined is to follow in a good way. To be self-disciplined is to follow in a better way.

RULE SIX: Nothing is a mistake. There’s no win and no fail, there’s only make.

RULE SEVEN: The only rule is work. If you work it will lead to something. It’s the people who do all of the work all of the time who eventually catch on to things.

RULE EIGHT: Don’t try to create and analyze at the same time. They’re different processes.

RULE NINE: Be happy whenever you can manage it. Enjoy yourself. It’s lighter than you think.

RULE TEN: We’re breaking all the rules. Even our own rules. And how do we do that? By leaving plenty of room for X quantities.

HINTS: Always be around. Come or go to everything. Always go to classes. Read anything you can get your hands on. Look at movies carefully, often. Save everything — it might come in handy later.

John Cage Ten Rules for Students and Teachers
originates not from John Cage,
but artist and teacher Corita Kent
who created the list as part of a project
for a class she taught in 1967-1968
at Immaculate Heart College in Los Angeles.

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