Heterogeneous
SpectaclesJamie Lyons — News & Writing

Evidence of Harm

That is what the title of artist means: one who perceives more than his fellows, and who records more than he has seen. Edward Gordon Craig What the hell are we supposed to do with theater documentation anyway? It’s the corpse of the thing, the empty bottle, the setlist scrawled on a napkin after the […]

Continue Reading →
Evidence of Harm
CunamacuΓ©: Son de Los Diablos

CunamacuΓ©: Son de Los Diablos

CunamacuΓ© rehearsing their “Son De Los Diablos.”  A performance inspired by the Afro-Peruvian dance Son de los Diablos to activate public spaces and reclaim ancestral practices of ceremony and ritual.  Created by Carmen Roman and Pierr Padilla Vasquez The performance traveled to various sites in Oakland’s Fruitvale neighborhood with the route beginning at 35th Ave […]

Continue Reading →
September 4, 2018 · Speculation

Son De Los Diablos

Son De Los Diablos

CunamacuΓ© rehearsing their “Son De Los Diablos.”Β  A performance inspired by the Afro-Peruvian dance Son de los Diablos to activate public spaces and reclaim ancestral practices of ceremony and ritual.Β  Created by Carmen Roman and Pierr Padilla Vasquez Saturday, September 8th, at 2pm The performance travels to different sites in the Fruitvale neighborhood with the […]

Continue Reading →
The Baths, The Fog, The Lie: Notes on Drowning Phaedra at 6 PM

The Baths, The Fog, The Lie: Notes on Drowning Phaedra at 6 PM

Sutro Baths broken concrete pools don’t give a shit about me or my romanticized notion of Victorian grandeur. They just are, salt-scarred, graffitied, filled with seawater and broken glass and the honest stink of kelp and bird shit rotting in the sun. And that’s exactly why Sophocles Phaedra belongs here. Sophocles understood something we keep […]

Continue Reading →
PowerPoint Presentations Over Buried Bodies: A Wednesday in Bayview

PowerPoint Presentations Over Buried Bodies: A Wednesday in Bayview

An America that asks what it owes its most vulnerable citizens is improved and humane. An America that looks away is ignoring not just the sins of the past but the sins of the present and the certain sins of the future. Ta-Nehisi Coates, We Were Eight Years In Power: An American Tragedy, 2017 BUILD […]

Continue Reading →

The Streets Didn’t Ask for This

The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that […]

Continue Reading →
The Streets Didn’t Ask for This
Ancient Grief in a Modern Gym

Ancient Grief in a Modern Gym

So here’s the thing about these images: they’re documentation masquerading as art, or maybe art pretending to be documentation, that beautiful, fucked-up place where nobody’s quite sure what they’re looking at anymore. Rush Rehm’s doing Euripides like it still matters, like these 2,400-year-old words about women destroyed by war and men destroyed by their own […]

Continue Reading →
« Older Entries
Newer Entries »
×