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Heterogenous Spectacles

divino inferno, Bruno Aveillan

Bruno Aveillan: RODIN AND THE GATES OF HELL. written by Zoé Balthus and and Bruno Aveillan screened at the Cantor Arts Center, Stanford University

Bruno Aveillan, Rodin, Stanford Arts, Cantor Arts Center, Stanford University, dance, film, Stanford TAPS, Rick Porras, Jamie Lyons, Rodin sculpture garden, Gates of Hell, Film Screening Cantor Arts Center

Art is contemplation. It is the pleasure of the mind which searches
into nature and which there divines the spirit by which Nature herself
is animated. It is the joy of the intellect which sees clearly into
the Universe and which recreates it, with conscientious vision. Art is
the most sublime mission of man, since it is the expression of thought
seeking to understand the world and to make it understood.
Auguste Rodin

RODIN AND THE GATES OF HELL
A film by Bruno Aveillan
written by Zoé Balthus and and Bruno Aveillan

Following the screening there will be a Q&A with Bruno Aveillan, Zoé
Balthus, and Jean-Babtiste Chantosieau (Editor, Musée Rodin)
October 12, 2017 at 6PM in Oshman Hall, McMurtry Art Building
Screening presented by Cantor Arts Center at Stanford University

Car Wash Blues

I think cars today are almost the exact equivalent of the great Gothic cathedrals. I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
Roland Barthes, The New Citroën, 1957

Palo Alto Car Wash

Savage Blasts at The Wave Organ (Sophocles #116)

We performed a site responsive theatre piece using a fragment of text from a lost Sophocles tragedy at the Wave Organ in San Francisco  Informally, the piece is called Savage Blasts.  This work is part of a larger project called IOTA that brings to life the fragments for the lost plays of Aeschylus, Sophocles, and Euripides.

Lauren Dietrich Chavez, Derek Phillips, site specific theatre, san francisco theater, san francisco bay, Sophocles fragment, site specific dance, site integrated theatre, Wave Organ, live art, public art, site responsive theatre, theatre photography, theatre documentation, Sophocles tragedy, environmental theatre, environmental justice, Sophocles #116

The Fragment
he blows no longer on small pipes,
but with savage blasts,
without a mouthpiece.

Location
An acoustic sculpture
installed on the shore of
San Francisco Bay in May 1986
by Peter Richards of the Exploratorium
and sculptor and mason George Gonzales

with a series of 25 PVC organ pipes
the organ interacts with the waves of the bay
conveying sound at different areas within the site.

The structure incorporates stone pieces
salvaged from the Laurel Hill Cemetery

Wave Organ, San Francisco Bay, The Exploritorium

Collaborators

Lauren Dietrich Chavez (movement), Derek Philips (sound) and Dylan Johnson (costumes)

Ryan Tacata’s Lolas

Performed at the Asian Art Museum in San Francisco Lolas was a performance installation by Ryan Tacata that explored notions of cultural assimilation and resistance through one lola’s garden, an assemblage of found materials, religious icons and constructed identities.
Ryan Tacata, Ryan Tacata Lolas, Asian Art Museum, Jose Abad, Maria Melinda Dávid, Derek Phillips, performance art photography, live art, installation art, Fillipino art, Fillipino artist, san francisco theatre, theatre bay area, Theatre Photography, Stanford Alumni, Stanford theater and performance studies, theatre documentation, Jamie Lyons, site specific theatre

Protest to Protect Bayview Hunters Point Against Pollution and Gentrification

This protest was sponsored by Greenaction for Health and Environmental Justice, Bayview Hunters Point Mothers and Fathers Committee, and Causa Justa/Just Cause to protect Bayview Hunters Point against Pollution and gentrification.

Bayview, Hunters Point, San Francisco Pollution, Gentrification San Francisco. Lennar, Five Points, Superfund Site, Greenaction for Health and Environmental Justice, Bayview Hunters Point Mothers and Fathers Committee, Causa Justa/Just Cause, environmental justice, nuclear waste, environmental racism,

Bayview, Hunters Point, San Francisco Pollution, Gentrification San Francisco. Lennar, Five Points, Superfund Site, Greenaction for Health and Environmental Justice, Bayview Hunters Point Mothers and Fathers Committee, Causa Justa/Just Cause, environmental justice, nuclear waste, environmental racism,

Bayview, Hunters Point, San Francisco Pollution, Gentrification San Francisco. Lennar, Five Points, Superfund Site, Greenaction for Health and Environmental Justice, Bayview Hunters Point Mothers and Fathers Committee, Causa Justa/Just Cause, environmental justice, nuclear waste, environmental racism,

Protest to Protect Bayview Hunters Point
Against Pollution and Gentrification!

On July 15th, developer Lennar (aka Five Points) held their “Grand Opening” of the “Monarch” luxury townhouses built next to the radioactive and toxic contaminated Hunters Point Naval Shipyard Superfund Site

rehearsing Philoctetes

Speculation: rehearsing Philoctetes and bringing the remaining fragment of AeschylusPhiloctetes to life under a totem pole…

an epoch of engineers and of manufacturers

Auguste Rodin Gates of Hell at Sunset (Stanford University)…

Rodin, Auguste Rodin, Rodin Gates of Hell, Stanford Arts, Stanford University, public art, Stanford photography, sculpture, Cantor Arts Center, Rodin Stanford, iphone, Rodin Sunset

To-day, artists and those who love artists seem like fossils. Imagine a megatherium or a diplodocus stalking the streets of Paris! There you have the impression that we must make upon our contemporaries. Ours is an epoch of engineers and of manufacturers, not one of artists.
Auguste Rodin and Paul Gsell. Art, Publisher Boston, Small, Maynard &
Co, 1912. Translated by Mrs. Romilly Fedden. p.7

Tasting Room

Lindsey Dillon and Sharka in the Bonny Doon Tasting Room in Davenport

Lindsey Dillon, Sharka, Portugese Water Dog, Bonny Doon, Tasting Room, winery, Davenport

I pray you, do not fall in love with me,
for I am falser than vows made in wine.
William ShakespeareAs You Like It

La Selva Beach

La Selva Beach Fisherman, Santa Cruz, CA.

Sharka, La Selva, beach fishing, fishing, santa cruz

A second wave collapsed over my feet,
lipped with white froth,
and the chill gripped my ankles
with a mortal ache.
Sylvia Plath, The Bell Jar

Lindsey Dillon at Ars Technica

Resistance: Ars Technica editors Annalee Newitz and Joe Mullin speak to UC Santa Cruz sociology professor Lindsey Dillon about how the Trump administration has been removing scientific and environmental data from the Web.

Lindsey Dillon, Ars Technica, Annalee Newitz, Joe Mullin , EDGI, Environmental Data Governance Initiative, UC Santa Cruz, UCSC, Sociology, Geography, EPA Lindsey Dillon, Ars Technica, Annalee Newitz, Joe Mullin , EDGI, Environmental Data Governance Initiative, UC Santa Cruz, UCSC, Sociology, Geography, EPA, Lindsey Dillon Ars Technica

California Interstate 5 (I-5)

Wanderlust along California Interstate 5… The I-5.

Harris Ranch, cattle ranch, beef, cows, Interstate 5, animal rights, humane

Not being able to escape is the most awful thing. I know, in my soul, that to eat a creature who is raised to be eaten, and who never has a chance to be a real being, is unhealthy. It’s like…you’re just eating misery. You’re eating a bitter life.
Alice Walker

This lamp will last 10,000 years.

Chris Burden’s Urban Light outside the Los Angeles County Museum of Art  (LACMA).

Chris Burden, Chris Burden Urban Light, Los Angeles County Museum of Art, LACMA, public art, Chris Burden LACMA

Chris Burden Urban Light

This lamp will last 10,000 years. …
It’s such a weird idea, to make an object that is designed to be around for several thousand years. Nobody ever thinks in those terms anymore. At all. Do you know what I’m saying?
Chris Burden

Oedipus in Fort Mason Chapel

Sophocles Oedipus in Fort Mason Chapel as part of The San Francisco International Arts Festival

Anthony Burgess Oedipus, Museum of Performance and Design, San Francisco theatre, theater photography, performance documentation, Sophocles, Sophocles Oedipus, Jocasta, San Francisco international arts festival, SFIAF, Stanford theater and performance studies, theater bay area, Fort Mason Chapel, Nathaniel Justiniano, site specific theatre, site responsive theatre Anthony Burgess Oedipus, Museum of Performance and Design, San Francisco theatre, theater photography, performance documentation, Sophocles, Sophocles Oedipus, Jocasta, San Francisco international arts festival, SFIAF, Stanford theater and performance studies, theater bay area, Fort Mason Chapel, Tonyanna Borkovi, site specific theatre, site responsive theatre Anthony Burgess Oedipus, Museum of Performance and Design, San Francisco theatre, theater photography, performance documentation, Sophocles, Sophocles Oedipus, Jocasta, San Francisco international arts festival, SFIAF, Stanford theater and performance studies, theater bay area, Fort Mason Chapel, Amber Levine, site specific dance, site specific theatre, site responsive theatre, Fort Mason Anthony Burgess Oedipus, Museum of Performance and Design, San Francisco theatre, theater photography, performance documentation, Sophocles, Sophocles Oedipus, Jocasta, San Francisco international arts festival, SFIAF, Stanford theater and performance studies, theater bay area, Fort Mason Chapel, Nathaniel Justiniano, site specific theatre, site responsive theatre, Nathaniel Justiniano Actor

The staged reading of Oedipus
happened last night in Fort Mason Chapel
for San Francisco International Arts Festival …
I’m biased
but i thought it was marvelous
and more than anything
I’m in awe of the incredible effort
intelligence, humor and grace
of my collaborators in this all too brief adventure

thank you Muriel Maffre, John Warren Travis, Nathaniel Justiniano, Tonyanna Borkovi, Aleta Hayes, Val Sinckler, Benjamin Cohn, Daniel Guaqueta, Amber Levine, Timothy Lee, Son Nguyen, Yula Montoya, Kellen Hoxworth, Becky Chaleff, Jeff Schwartz, San Francisco International Arts Festival, Fort Mason Center for Arts and Culture, and Museum of Performance + Design

I am so grateful to get to play with you and consider such beautiful people my friends and collaborators

Rehearsing Anthony Burgess’ adaptation of Sophocles Oedipus

Rehearsing Anthony Burgess Oedipus at The Museum of Performance and Design (MP+D) with Nathaniel Justiniano, Aleta Hayes, Tonyana Borkovi, Val Sinkler, Muriel Maffre and Designer/Artist Warren Travis

Anthony Burgess Oedipus, Museum of Performance and Design, San Francisco theatre, theater photography, performance documentation, Sophocles, Sophocles Oedipus, Jocasta, San Francisco international art festival, SFIAF, Stanford theater and performance studies, theater bay area, Fort Mason Chapel, Nathaniel Justiniano, site specific theatre, site responsive theatre

Anthony Burgess Oedipus, Museum of Performance and Design, San Francisco theatre, theater photography, performance documentation, Sophocles, Sophocles Oedipus, Jocasta, San Francisco international art festival, SFIAF, Stanford theater and performance studies, theater bay area, Fort Mason Chapel, Val Sinckler, site specific theatre, site responsive theatre

Anthony Burgess Oedipus, Museum of Performance and Design, San Francisco theatre, theater photography, performance documentation, Sophocles, Sophocles Oedipus, Jocasta, San Francisco international art festival, SFIAF, Stanford theater and performance studies, theater bay area, Fort Mason Chapel, Warren Travis, Tonyanna Borkovi, site specific theatre, site responsive theatre

“Doubt all you will. Truth is truth.”

rehearsing at MP+D
for a May 27th staged reading of Oedipus
in Fort Mason Chapel
for San Francisco International Art Festival

Chcoclate Heads’ MemChu

Stanford Memorial Church Dance: a public service event at featuring a site specific dance by Chocolate Heads

Chocolate Heads, Aleta Hayes, Stanford University, Stanford Memorial Church, Stanford Arts, Live Art, Stanford dance, San Francisco dance, performance documentation, dance photography, Jamie Lyons, stanford theater and performance studies, stanford religious studies, performance ritual, site specific dance, Stanford photography, Stanford TAPS, San Francisco dance, site specific dance, Stanford photography

Every child has known God,
Not the God of names,
Not the God of don’ts,
Not the God who ever does anything weird,
But the God who knows only four words.
And keeps repeating them, saying:
‘Come dance with me, come dance.’
Hafiz (translation by Daniel Ladinsky)

Oedipus and Tiresias

Oedipus and Tiresias (Nathaniel Justiniano and Tonyanna Borkovi) rehearsing for a site specific staged reading of Anthony Burgess’ adaptation of Sophocles’ Oedipus The King to be performed in the Fort Mason Chapel for the San Francisco International Art Festival and produced by the Museum of Performance and Design

Nathaniel Justiniano, tonyanna borkovi, Sophocles, Oedipus, Tiresias, theatre, theater, bay area, san francisco, site specific, site responsive, performance, live art, rehearsal, documentation, photography, jamie lyons, summer, fort mason, chapel, international arts festival, SFIAF, performance studies, practice, theory, japantown, museum of performance and design

Nathaniel Justiniano, tonyanna borkovi, Sophocles, Oedipus, Tiresias, theatre, theater, bay area, san francisco, site specific, site responsive, performance, live art, rehearsal, documentation, photography, jamie lyons, summer, fort mason, chapel, international arts festival, SFIAF, performance studies, practice, theory, japantown, museum of performance and design

Nathaniel Justiniano, tonyanna borkovi, Sophocles, Oedipus, Tiresias, theatre, theater, bay area, san francisco, site specific, site responsive, performance, live art, rehearsal, documentation, photography, jamie lyons, summer, fort mason, chapel, international arts festival, SFIAF, performance studies, practice, theory, japantown, museum of performance and design

Oedipus and Tiresias walk into a Japantown coffee shop…

TIRESIAS

This I know. This you do not know.
Your marriage is a sin. Your love is a sin.
Your bed is stained with sin.

OEDIPUS

Impunity- you think your blindness and age grant you

TIRESIAS

The truth grants it, not I, the mere
Bearer of the truth.

Site Specific Dance at Pace Gallery Palo Alto

Chocolate Heads with David Hockney‘s exhibit perform a site specific dance at Pace Gallery Palo Alto

Chocolate Heads, David Hockney, Pace Gallery, Art Gallery, Stanford Arts, Palo Alto photography, iPad Art, Hockney Yosemite, dance documentation, Stanford dance, site specific dance, performance documentation, live art, san francisco dance, theater bay area, jamie lyons, aleta hayes, stanford theater and performance studies, Stanford TAPS, Pace Gallery Palo Alto
What an artist is trying to do for people is bring them closer to something, because of course art is about sharing. You wouldn’t be an artist unless you wanted to share an experience, a thought.
David Hockney
but then…

The photograph isn’t good enough.
It’s not real enough.
David Hockney

Shotgun Players’ The Events

David Greig The Events at Shotgun Players in Berkeley. Directed by Susannah Martin with scenic design by Angrette McCloskey.

Shotgun Players Berkeley, The Events, san francisco theatre, theater bay area, berkeley theatre, berkeley performance, theatre photography, theatre documentation, David Greig, Julia McNeal, Caleb Cabrera, Susannah Martin, Angrette McCloskey, Wolfgang Wachalovsky,

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