The Trojan Horse: constructed out of driftwood and trash found in the Emeryville Mudflats for site responsive theatre event of Sophocles‘ Sinon. Part of a project called Iota,
An artist is the magician put among men to gratify–capriciously–their urge for immortality. The temples are built and brought down around him, continuously and contiguously, from Troy to the fields of Flanders. If there is any meaning in any of it, it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities. What now of the Trojan War if it had been passed over by the artist’s touch? Dust. A forgotten expedition prompted by Greek merchants looking for new markets. A minor redistribution of broken pots. But it is we who stand enriched, by a tale of heroes, of a golden apple, a wooden horse, a face that launched a thousand ships–and above all, of Ulysses, the wanderer, the most human, the most complete of all heroes–husband, father, son, lover, farmer, soldier, pacifist, politician, inventor and adventurer…
Tom Stoppard