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Exploring… San Quentin

san quentin prison, site specific theatre, theatre lcoation, theatre photography, performance art, san quentin state prison, san quentin history

Let me way this. I was 22 when I came to prison and of course I have changed tremendously over the years. But I had always had a strong sense of myself and in the last few years I felt i was losing my identity. There was a deadness in my body that eluded me, as though I could not exactly locate its site. I would be aware of this numbness, this feeling of atrophy, and it haunted the back of my mind. Because of this numb spot, I felt peculiarly off balance, the awareness of something missing, of a blank spot, a certain intimation of emptiness. Now I know what it was. and since encountering you, I feel life strength flowing back into that spot. My step, the tread of my stride, which was becoming tentative and uncertain, has begun to recover and take on a new definiteness, a confidence, a boldness which makes me want to kick over a few tables. I may even swagger a little, and, as I read in a book somewhere, “push myself forward like a train.”
Eldridge Cleaver to Beverly Axelrod
Soul on Ice, 1968

San Quentin State Prison

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