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Posts Tagged ‘Notes’

You Want the Truth About Photography? Start HereFalseArt
Surrender Your Skull: Notes on Directing as Dangerous Hospitality or How to Let a Dead French Guy Rearrange Your FurnitureFalseArt + Speculation theatre of consciousness, Maria Leigh, We Players, macbeth fort point, san francisco, site specific
Bodies as JPEGs: How I Learned to Stop Worrying and Swipe Past RealityFalseArt repetition, live perforamnce, video perforamnce, live art
The Theater of No Exit: Or, How I Learned to Stop Worrying and Hate the Fucking AudienceFalseArt Rodin
Site Specific Theater BibliographyFalseArt
Frequently Asked QuestionsSolipsism
Brecht Knew You Were Full of Shit: On the Work and the WreckageSolipsism
Carl Weber: What I Owe the DeadIndividualism Carl Weber, Stanford University, Stanford, Theater and Performance Studies, Stanford TAPS, Bertolt Brecht, theater, theatre, director, directing, Heiner Muller, San Francisco, professor, education, bay area, Stanford Drama
Rules (Updated)Engineering + Solipsism Jamie Lyons, theatre, theater, photography, directing, artist, stanford, performance studies, theater bay area, dance, live art, site specific, site responsive,
Notes to myself on beginning a paintingSpeculation Stanford Arts, Rodin, Cantor Arts Center, Museum, Stanford Univiersity, Richard Diebenkorn, museum
Documenting Performance and TruthFalseArt We Players, Ava Roy, William Shakespeare Macbeth, site integrated theatre, theater photography, theatre documentation, performance studies, Stanford Alumni, san francisco theatre, theater bay area, john hadden, documenting performance
India Basin, Hunter’s PointThe City Hunters Point, San Francisco, Anderson, Cristofani, shipyard, shipbuilding, Jack London, The Snark
Janet Cardiff The Forty Part Motet…Industries Janet Cardiff, The Forty Part Motet, Fort Mason Center for Arts and Culture, Performance Photography, SFMOMA, SFMOMA Performance Art, practice and theory
Rules in MotionCinematics + Solipsism Rules in Motion, Nathalie Brilliant, performance, site specific, Fort Mason, theatre, theater, documentation, photography, jamie lyons, san francisco, artist, art
criticism, photography and performanceFalseArt criticism, photography and performance
dichotomy of actor and textFalseArt dichotomy of actor and text
an image is an image is an image…FalseArt + Speculation Desirée Holman, Sophont in Action, performance art, documentation, photography, di rosa, gallery, nature, performance art photography, performer as a constructed image, an image is an image
a collision of readingsFalseArt + Speculation Ava Roy, We Players, site integrated, site specific, theatre, theater, Shakespeare, Macbeth, San Francisco, Fort Point, photography, documentation, jamie lyons, collaboration, performance, art
Teaching Without an Axe: Or, How to Keep the Faith After America Breaks Your BackIndividualism Old Mint Man
Collaboration and The Performance Space: working in the granite ladyFalseArt + Speculation Old Mint, San Francisco, rehearsal, theater, theatre, site specific, collected works, artist, designers
anticipation/calculation/presumptionFalseArt anticipation calculation presumption in performance, San Francisco Old Mint, Jean Genet The Balcony
Actor Notes: The Fragile Art of Taking DirectionSpeculation We Players, Actor Notes, Cast, Macbeth, actors, rehearsal, Shakespeare, Macbeth, Fort Point, portrait, Nathaniel Justiniano, John Hadden
Notes on Live Art and Video (or: How I Learned to Stop Worrying and Love the Fragmentation)FalseArt live art and video, Ryan Tacata, site specific theatre, san francisco theater bay area, san francisco performance art, Angrette McCloskey, performance studies, stanford TAPS, PAI, stage design, theatre photography, theatre documentation
An Evening With Sam ShepardFalseArt Magic Theater, Sam Shepard, san francisco
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