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We Players

We Players Site Integrated Theatre

We Players presents site integrated theatre events that transform open air public spaces into realms of participatory theatre.

We Players, Romeo and Juliet, William Shakespeare, Maria Leigh, Petaluma Adobe, site integrated theatre, Shakespeare Performance, theatre photography, theatre documentation
William Shakespeare’s Romeo & Juliet at Petaluma Adobe


We Players, Ondine, Jean Giraudoux, Ava Roy, Lauren Dietrich Chavez, Jamie Lyons, Maria Leigh, Jack Halton, John Hadden, Nathaniel Justiniano, Julie Douglas, Jennie Brick, Sutro Baths, National Park, Sutro Heights

Ondine


Alma, San Francisco Maritime

Rime of the Ancient Mariner


Shakespeare, Ava Roy, John Hadden, King Fool, King Lear, national parks art, theatre photography, san francisco theater, Lauren Dietrich Chavez, performance documentation, Marin Headlands arts
John Hadden’s King Fool


aquatic park, live art, performance documentation, sf maritime, maria leigh, julie douglas, caroline parsons, national parks art
We Players’ Trio Happening


We Players, Shakespeare Macbeth, Ava Roy, Golden Gate Bridge, Fort Point San Francisco, site integrated theatre, theater photography, Lauren Dietrich Chavez, William Shakespeare
William Shakespeare’s Macbeth at Fort Point, 2014

John Hadden, Ava Roy, We Players, Hubbard Hall, Shakespeare, Rodeo Beach, Marin Headlands, Cordelia, Fool, Lear, Jamie Lyons

King Lear


We Players, Macbeth, Shakespeare, Fort Point San Francisco, Macbeth witches, site integrated theatre, theater photography, We Players Photography, We Players Shakespeare, We Players Jamie Lyons, Shakespeare Performance
William Shakespeare’s Macbeth at Fort Point, 2013



Now I am alone.
O, what a rogue and peasant slave am I!
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit
That from her working all his visage wann’d,
Tears in his eyes, distraction in’s aspect,
A broken voice, and his whole function suiting
With forms to his conceit? and all for nothing!
For Hecuba!
What’s Hecuba to him, or he to Hecuba,
That he should weep for her? What would he do,
Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech,
Make mad the guilty and appal the free,
Confound the ignorant, and amaze indeed
The very faculties of eyes and ears. Yet I,
A dull and muddy-mettled rascal, peak,
Like John-a-dreams, unpregnant of my cause,
And can say nothing; no, not for a king,
Upon whose property and most dear life
A damn’d defeat was made. Am I a coward?
Who calls me villain? breaks my pate across?
Plucks off my beard, and blows it in my face?
Tweaks me by the nose? gives me the lie i’ the throat,
As deep as to the lungs? who does me this?
Ha!
‘Swounds, I should take it: for it cannot be
But I am pigeon-liver’d and lack gall
To make oppression bitter, or ere this
I should have fatted all the region kites
With this slave’s offal: bloody, bawdy villain!
Remorseless, treacherous, lecherous, kindless villain!
O, vengeance!
Why, what an ass am I! This is most brave,
That I, the son of a dear father murder’d,
Prompted to my revenge by heaven and hell,
Must, like a whore, unpack my heart with words,
And fall a-cursing, like a very drab,
A scullion!
Fie upon’t! foh! About, my brain! I have heard
That guilty creatures sitting at a play
Have by the very cunning of the scene
Been struck so to the soul that presently
They have proclaim’d their malefactions;
For murder, though it have no tongue, will speak
With most miraculous organ. I’ll have these players
Play something like the murder of my father
Before mine uncle: I’ll observe his looks;
I’ll tent him to the quick: if he but blench,
I know my course. The spirit that I have seen
May be the devil: and the devil hath power
To assume a pleasing shape; yea, and perhaps
Out of my weakness and my melancholy,
As he is very potent with such spirits,
Abuses me to damn me: I’ll have grounds
More relative than this: the play ‘s the thing
Wherein I’ll catch the conscience of the king.
William Shakespeare, Hamlet Act II, scene 2,

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