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Heterogenous Spectacles

Beautiful lies

Speculation: Backstage We Players Macbeth at Fort Point, 2014

Nathaniel Justiniano, We Players, backstage, theatre, Fort Point, theater, backstage, actor, acting, Macbeth, Shakespeare, site specific, site integrated

Nathaniel Justiniano

Jennie Brick

Jamie Freebury

Jamie Freebury

Jack Halton, theater, backstage, actor, acting, We Players, Fort Mason, Macbeth, Shakespeare, site specific, site integrated

Jack Halton

Brandice Thompson, theater, backstage, actor, acting, We Players, Fort Mason, Macbeth, Shakespeare, site specific, site integrated

Brandice Thompson

Nathaniel Justiniano, theater, backstage, actor, acting, We Players, Fort Mason, Macbeth, Shakespeare, site specific, site integrated

Nathaniel Justiniano

John Hadden, theater, backstage, actor, acting, We Players, Fort Mason, Macbeth, Shakespeare, site specific, site integrated, director

John Hadden

Steve Boss, theater

Steve Boss

Maria Leigh, theater, backstage, actor, acting, We Players, Fort Mason, Macbeth, Shakespeare, site specific, site integrated

Maria Leigh

Jeninie Brick, Aaron Priskorn, Maria Leigh

Jack Halton

Ava Roy, Nathaniel Justiniano, We Players, theatre, documentation, theater, backstage, actor, acting, We Players, Fort Mason, Macbeth, Shakespeare, site specific, site integrated

Ava Roy and Nathaniel Justiniano

Kevin Thomas Singer, theater, backstage, actor, acting, We Players, Fort Mason, Macbeth, Shakespeare, site specific, site integrated

Kevin Thomas Singer

Ava Roy, We Players, Backstage We Players, Backstage, Lady Macbeth, documentation, photography, jamie lyons, site integrated, theatre, theater

Ava Roy

Ruth Tringham

Ruth Tringham

Carmen Maria backstage at We Players Macbeth at Fort Point, 2015

Carmen Maria

Keven Thomas Singer, theater, backstage, actor, acting, We Players, Fort Mason, Macbeth, Shakespeare, site specific, site integrated

Kevin Thomas Singer

Nathaniel Justiniano, We Players, Macbeth, Fort Point, site integrated theatre, performance, documentation, photography, Jamie Lyons

Nathaniel Justiniano

Backstage We Players Macbeth at Fort Point

So always avoid banality. That is, avoid illustrating the author’s words and remarks. If you want to create a true masterpiece you must always avoid beautiful lies: the truths on the calender under each date you find a proverb or saying such as: “He who is good to others will be happy.” But this is not true. It is a lie. The spectator, perhaps, is content. The spectator likes easy truths. But we are not there to please or pander to the spectator. We are here to tell the truth.
Jerzy Grotowski

Away, and mock the time with fairest show:
False face must hide what the false heart doth know.
Shakespeare, Macbeth, 1.7

Desirée Holman: Sophont in Action

Desirée Holman, Sophont in Action, performance art, documentation, photography, di rosa, gallery, nature, site specific

always looking over my shoulder

Solipsism Backstage at We PlayersMacbeth at Fort Point

Maria Leigh, We Players, fort point, always looking

“My darling,” she said at last, are you sure you don’t mind being a mouse for the rest of your life?”
“I don’t mind at all” I said.
“It doesn’t matter who you are or what you look like as long as somebody loves you.”
Roald Dahl, The Witches

ce fut une conquête singulièrement dure et lente

Peacock (Di Rosa Art Preserve)

peacock, di rosa art preserve

I shall always remember how the peacocks’ tails shimmered when the moon rose amongst the tall trees, and on the shady bank the emerging mermaids gleamed fresh and silvery amongst the rocks…
Hermann Hesse, The Journey to the East

the remotely antique

di Rosa Center for Contemporary Art & Nature Preserve is a catalyst for transformative experiences with contemporary art of Northern California, Napa.

Di Rosa Art, Di Rosa Art and Nature Preserve, Napa Art, di Rosa Center for Contemporary Art

For eyes we have no models in the remotely antique.
Edgar Allan PoeLigeia

We Players’ Ondine Reading #2

We Players Ondine Reading #2

We Players, Ondine, Ava Roy, Sutro, reading, rehearsal, We Players Ondine

This woman could call upon the earth and the heavens to do her bidding. But she gave up her power to be human. Write this into your record, Judge—this Ondine was the most human human being that ever lived. She was human by choice.
Jean Giraudoux, Ondine

Pelican

pelican, fort point, golden gate bridge, san francisco bay birds

For my days are consumed like smoke, and my bones are burned as an hearth. My heart is smitten, and withered like grass; so that I forget to eat my bread. By reason of the voice of my groaning my bones cleave to my skin. I am like a pelican of the wilderness: I am like an owl of the desert. I watch, and am as a sparrow alone upon the house top. Mine enemies reproach me all the day; and they that are mad against me are sworn against me.
Psalms 102:6

Macbeth at Fort Point Rehearsal

Speculation: We Players Macbeth Rehearsal at Fort Point

Ava Roy, Macbeth, We Players, John Hadden, Fort Point

MACBETH
Canst thou not minister to a mind diseased,
Pluck from the memory a rooted sorrow,
Raze out the written troubles of the brain
And with some sweet oblivious antidote
Cleanse the stuff’d bosom of that perilous stuff
Which weighs upon the heart?

Doctor
Therein the patient
Must minister to himself.
Shakespeare, Macbeth, 5,3

Backstage Fort Point

Actor Notes: Backstage actors etiquette (on the lawn in front of the public bathrooms) while being given their notes for We Players Macbeth at Fort Point

Actors EtiquetteActor Notes, We Players, Macbeth, Fort Point

I never said all actors are cattle,
what I said was all actors should be treated like cattle.
Alfred Hitchcock

Backstage Trio

Backstage Trio: Caroline Parsons, Maria Leigh, and Julie Douglas.  The trio of witches in We Players Macbeth on the roof (backstage) at Fort Point, San Francisco.

We Players Trio, We Players Crew, caroline parsons, maria leigh, julie douglas, we players, fort point, trio, witches, site specific, performance, site integrated, theatre, theater

First Witch: When shall we three meet again
In thunder, lightning, or in rain?
Second Witch: When the hurly-burly’s done,
When the battle’s lost and won.
Third Witch: That will be ere the set of sun.
First Witch: Where’s the place?
Second Witch: Upon the heath
Third Witch: There to meet with Macbeth.
Shakespeare, Macbeth, 1.1

Franconia Performance Salon #10

Franconia Performance Salon #10 had Ryan Tacata and Nathalie Brilliant sharing new performance works; Nicholas Berger presented an excerpt from “Land of Songs,” a new film documentary about Lithuanian folk music; and Kimberly Jannarone directed a section of an unproduced play by Jon O’Keefe, “Saying Emily”.

Raegan Truax, Ryan Tacata, Franconia Performance Salon, San Francisco Performance Art

Nathalie Brilliant

Franconia Performance Salon, Performance Art, San Francisco

Considering how dangerous everything is, nothing is really very frightening.
Gertrude Stein

Macbeth Read Thru

We Players Macbeth read through yoga

We Players first reading for
Macbeth at Fort Point

Surfing Fort Point

Surfing Fort Point: Surfing under the Golden Gate Bridge

Fort Point, San Francisco, surfing, Surfing Fort Point, Surfing Golden Gate Bridge

The light of San Francisco
is a sea light
an island light
And the light of fog
blanketing the hills
drifting in at night
through the Golden Gate
to lie on the city at dawn…
Lawrence Ferlinghetti, How to Paint Sunlight: Lyric Poems & Others

The Old Mint

san francisco, old mint, collected works, balcony, site specific

Macbeth at Fort Point: Installations

 

Ava Roy as Lady Macbeth
in We Players’ Macbeth at Fort Point

E tu, Brute!

E tu Brute, Old Mint, San Francisco, Julius Caesar San Francisco
Et tu, Brute! Then fall, Caesar.
Shakespeare, Julius Ceasar, 3.1

Cow Time

Cow Time with Yula Paluy...

yula paluy, cow

To country people Cows are mild,
And flee from any stick they throw;
But I’m a timid town bred child,
And all the cattle seem to know.
T.S. Eliot

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