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Jamie Lyons
Live Art, Site-Specific Theatre & Documentary Photography
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Spectaclism
Heterogeneous Spectacles
Stories
Commodities
Propaganda
Geographies
Connect
FalseArt
Andres Amador beach art: Middle Finger to Permanence
FalseArt
Harold Pinter Locked in a Room in Hell, Or: How the BBC Accidentally Made Existentialism Punch You in the Face
FalseArt
I Was Here: Saul Bass’s 25-Minute Middle Finger to Mortality
FalseArt
The Mouth Refuses: Billie Whitelaw and the Beautiful Wreckage of Not I
FalseArt
The Man Who Painted His Own Disappearance
FalseArt
The Defiant Uselessness of Saying Hello to the Dead
FalseArt
Notes on Live Art and Video (or: How I Learned to Stop Worrying and Love the Fragmentation)
FalseArt
Behind Your Forehead: James Joyce, Henrik Ibsen, and the Only Kind of Artistic Courage That Actually Matters
FalseArt
The Most Honest Fucking Shakespeare You’re Ever Going to See
FalseArt
Standing on Knives: What Beauty Actually Costs
FalseArt
The Body’s Archive: Mozart in D Minor and the Phenomenology of Panic
FalseArt
An Evening With Sam Shepard
FalseArt
Marina Abramović and the Beautiful Discipline of Fucking Up
FalseArt
When Credits Learned to Scream: Saul Bass and the Art of the Before
FalseArt
A Love Letter From the Other Side of Everything
FalseArt
Forty-Seven Minutes of Beautiful Demolition: Bergman, Cocteau, and The Dial Tone of Abandonment
FalseArt
The Beautiful Con Job: How the Lens Ate Your Eye
FalseArt
The Tree Had Better Shit to Do: Sesame Street’s Accidental Beckett and the Puppets Who Made Existentialism Sing
FalseArt
Timeless Capitalism (Avignon Theatre Festival)
FalseArt
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