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FalseArt

John Cage Ten Rules for Students and TeachersFalseArt + Industries John Cage Lecture on Nothing, John Cage, Roble Gym, Stanford Theater and Performance Studies, Stanford TAPS, Stanford Arts, Performance Studies international, Michael Hunter, Derek Phillips, theatre photography, theatre documentation
Internet Archive: Wayback MachineFalseArt + Resistance Internet-Archive-033018-2
Notes to myself on beginning a paintingFalseArt Stanford Arts, Rodin, Cantor Arts Center, Museum, Stanford Univiersity, Richard Diebenkorn, museum
Documenting Performance and TruthFalseArt We Players, Ava Roy, William Shakespeare Macbeth, site integrated theatre, theater photography, theatre documentation, performance studies, Stanford Alumni, san francisco theatre, theater bay area, john hadden, documenting performance
2 + 2 = 22: Man Ray’s Hollywood EquationsFalseArt Julius Caesar
Taxidermist or The Last Ones There Get to Say What It MeantFalseArt Brodovtich 01
Somebody Has to Stand ThereFalseArt + Speculation Museum of Performance and Design, San Francisco theatre, theater photography, performance documentation, Sophocles, Sophocles Oedipus, Jocasta, San Francisco international art festival, SFIAF, Stanford theater and performance studies, theater bay area, Fort Mason Chapel, Nathaniel Justiniano
The Mouse That Ate America: Glass Dissects Disney in MadridFalseArt The Perfect American, Philip Glass
Deep Blindness: The Hull TapesFalseArt Screenshot 2026-01-09 at 6.05.40 AM
The Performative Con: How We Method-Act Our Way Through the Checkout LineFalseArt Healdsburg 2258
The Tender Archaeology of Our Disposable Souls: Notes on Marker’s Junkyard ProphecyFalseArt Chris Marker, Junktopia
The Brutal Democracy of MakingFalseArt Old Mint, San Francisco, rehearsal, theater, theatre, site specific, collected works, artist, designers
The Director’s RacketFalseArt anticipation calculation presumption in performance, San Francisco Old Mint, Jean Genet The Balcony
Andres Amador beach art: Middle Finger to PermanenceFalseArt Andres Amador beach art
Harold Pinter Locked in a Room in Hell, Or: How the BBC Accidentally Made Existentialism Punch You in the FaceFalseArt Jean Paul Sartre, No Exit, Harold Pinter, In Camera, BBC, The Wednesday Play
I Was Here: Saul Bass’s 25-Minute Middle Finger to MortalityFalseArt Saul Bass, Why Man Creates
The Mouth Refuses: Billie Whitelaw and the Beautiful Wreckage of Not IFalseArt Billie Whitelaw Samuel Beckett Not I
The Man Who Painted His Own DisappearanceFalseArt Alzheimer's self portraits, William Utermohlen
The Defiant Uselessness of Saying Hello to the DeadFalseArt Tsukimi Ayano scarecrow village, Nagoro Japan depopulation, Japanese village scarecrows, Shikoku dying villages
Notes on Live Art and Video (or: How I Learned to Stop Worrying and Love the Fragmentation)FalseArt live art and video, Ryan Tacata, site specific theatre, san francisco theater bay area, san francisco performance art, Angrette McCloskey, performance studies, stanford TAPS, PAI, stage design, theatre photography, theatre documentation
Behind Your Forehead: James Joyce, Henrik Ibsen, and the Only Kind of Artistic Courage That Actually MattersFalseArt James Joyce
The Most Honest Fucking Shakespeare You’re Ever Going to SeeFalseArt Arnold Schwarzenegger Hamlet.William Shakespeare. Honest Shakespeare
Standing on Knives: What Beauty Actually CostsFalseArt Javier Perez's' En Puntas 01
The Body’s Archive: Mozart in D Minor and the Phenomenology of PanicFalseArt performative sublime as panic, muscle memory and the body's archive, theater of accident, Artaudian rupture in real time, phenomenology of embodied knowledge
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