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FalseArt

You Want the Truth About Photography? Start HereFalseArt
The Ordered Chaos of Francis BaconFalseArt Francis Bacon
São Paulo, 1969: How to Demolish a Theater and Build a CathedralFalseArt Victor Garcia, The Balcony, Ruth Escobar, Sao Paulo, Jean Genet
The Body Remembers What the Church ForgotFalseArt
Against Closure: The Collision, Not the CleanupFalseArt Lauren Dietrich Chavez, Derek Phillips, Wave Organ, Sophocles, theater bay area
Surrender Your Skull: Notes on Directing as Dangerous Hospitality or How to Let a Dead French Guy Rearrange Your FurnitureFalseArt theatre of consciousness, Maria Leigh, We Players, macbeth fort point, san francisco, site specific
The Statue That Refused to Stay Still: Lee Miller and Cocteau’s Beautiful LieFalseArt The Blood a Poet, Lee Miller
Better a Tree Than This: Why Daphne Had the Right IdeaFalseArt Romeo Castellucci, Strauss Daphne, Berlin Staatsoper
To Finir with Your Bullshit: Artaud’s Last NoiseFalseArt Antonin Artaud
Bodies as JPEGs: How I Learned to Stop Worrying and Swipe Past RealityFalseArt repetition, live perforamnce, video perforamnce, live art
Let Them Grunt: Evans and the Case Against Reverent SilenceFalseArt
The Beautiful Wreckage of the IrasciblesFalseArt American abstract artists, The Irascibles, including William Baziotes, James C. Brooks, Jimmy Ernst, Adolph Gottlieb, Hedda Sterne, Clyfford Still, Willem de Kooning, Bradley Walter Tomlin, Barnett Newman, Jackson Pollock, Theodoros Stamos, Richard Pousette-Dart, Robert Motherwell, Ad Reinhardt, and Mark Rothko
The Knife I Chose to Pick UpFalseArt rehearsal versus performance, refusing theatrical closure, heteroglossia in theatre, performance theory critique, power in rehearsal Brechtian alienation effect, multivalent theatrical meaning
Fur, Horsehair, and the Exorcism of History: Beuys in FrankfurtFalseArt
Portable Trees and Permanent Ghosts: Ben Greet’s Beautiful HustleFalseArt Been Greet outdoor Shakespeare
Wire and Cork and the Ghost of Laughter: Calder’s Circus as Beautiful HeresyFalseArt
The Theater of No Exit: Or, How I Learned to Stop Worrying and Hate the Fucking AudienceFalseArt Rodin
DIAMOND TEARS AND BURNING CHÂTEAUX: When the Rich Wore Their Madness on the OutsideFalseArt
Mark Rothko, Adolph Gottlieb and Barnett Newman: A Brief ManifestoFalseArt
Site Specific Theater BibliographyFalseArt
Queer Light and Formaldehyde: Robert Wilson Does ShakespeareFalseArt Robert Wilson Shakespeare Sonnets
La Grande Nuit de l’Opéra: How Maria Callas Murdered Everyone at the Palais Garnier and Made Them Thank HerFalseArt Maria Callas Paris Debut, 1958, La Grande Nuit de l'Opéra
The Making of an Underground FilmFalseArt
John Cage Ten Rules for Students and TeachersFalseArt + Industries John Cage Lecture on Nothing, John Cage, Roble Gym, Stanford Theater and Performance Studies, Stanford TAPS, Stanford Arts, Performance Studies international, Michael Hunter, Derek Phillips, theatre photography, theatre documentation
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