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Jamie Lyons
Live Art, Site-Specific Theatre & Documentary Photography
Spectaclism
Heterogeneous Spectacles
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Spectaclism
Heterogeneous Spectacles
Stories
Commodities
Geographies
Propaganda
Connect
FalseArt
You Want the Truth About Photography? Start Here
FalseArt
The Ordered Chaos of Francis Bacon
FalseArt
São Paulo, 1969: How to Demolish a Theater and Build a Cathedral
FalseArt
The Body Remembers What the Church Forgot
FalseArt
Surrender Your Skull: Notes on Directing as Dangerous Hospitality
or
How to Let a Dead French Guy Rearrange Your Furniture
FalseArt
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Speculation
Better a Tree Than This: Why Daphne Had the Right Idea
FalseArt
To Finir with Your Bullshit: Artaud’s Last Noise
FalseArt
Let Them Grunt: Evans and the Case Against Reverent Silence
FalseArt
Bodies as JPEGs: How I Learned to Stop Worrying and Swipe Past Reality
FalseArt
The Theater of No Exit: Or, How I Learned to Stop Worrying and Hate the Fucking Audience
FalseArt
DIAMOND TEARS AND BURNING CHÂTEAUX: When the Rich Wore Their Madness on the Outside
FalseArt
Site Specific Theater Bibliography
FalseArt
La Grande Nuit de l’Opéra: How Maria Callas Murdered Everyone at the Palais Garnier and Made Them Thank Her
FalseArt
The Making of an Underground Film
FalseArt
John Cage
Ten Rules for Students and Teachers
FalseArt
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Industries
Internet Archive: Wayback Machine
FalseArt
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Resistance
Documenting Performance and Truth
FalseArt
criticism, photography and performance
FalseArt
dichotomy of actor and text
FalseArt
an image is an image is an image…
FalseArt
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Speculation
a collision of readings
FalseArt
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Speculation
Collaboration and The Performance Space: working in the granite lady
FalseArt
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Speculation
anticipation/calculation/presumption
FalseArt
Andres Amador beach art: Middle Finger to Permanence
FalseArt
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