August 1, 2013 · Adventure
The sail, the play of its pulse so like our own lives: so thin and yet so full of life, so noiseless when it labors hardest, so noisy and impatient when least effective. Henry David Thoreau Here’s the thing about getting on a boat with someone in the middle of San Francisco Bay: you find […]
Continue Reading →
July 15, 2013 · Industries
They asked me to document a site specific performance piece called Out of Water at Fort Funston for the Performance Studies international conference.Β Fort Funston… where the cliffs give up and the Pacific takes over. Helen Paris and Caroline Wright had assembled the whole apparatus: commissioned sound scores, UK sopranos, singers and swimmers spread across […]
Continue Reading →
July 12, 2013 · The City
San Francisco does this thing, this cruel, beautiful thing, where it gives you the Golden Gate Bridge and then takes it away. Not entirely. Just enough. The fog rolls in like it has somewhere better to be but decided to fuck with you first, wrapping that iconic span in gray wool, turning one of the […]
Continue Reading →
July 5, 2013 · Industries
Aleta Hayes, Β Signing in The Room Performance Studies international conference Stanford University Aleta Hayes took the Goldilocks story, you know, breaking and entering, eating someoneβs porridge, napping in their bed, and turned it into a solo dance-song cycle about trespassing as sacred practice. Sheβs got koken with her, those βinvisibleβ stagehands from Japanese theater who […]
Continue Reading →
July 5, 2013 · Industries
Performance Studies Stanford University hosting the Performance Studies international conference #19. I was very careful not to use film or video to record most of the performances, because I think most people, then, were not sophisticated enough to look at a video or film and necessarily understand that they were not seeing the real thing, […]
Continue Reading →
July 5, 2013 · Industries
I’ve seen a lot of people try to stare down the void and most of them blink, but performance artist Julie Tolentino doesn’t blink, she opens her mouth, that perfect O, same shape your lips make when you’re about to come or about to die (which might be the same fucking thing), and she just […]
Continue Reading →
July 1, 2013 · Industries
There’s this guy Luciano Chessa, Italian, classically trained at Bologna’s conservatory, PhD from UC Davis, teaches at the San Francisco Conservatory, and he’s here at the Performance Studies International conference making a goddamn piano sing like it’s possessed by the ghost of Luigi Russolo himself. He’s performing Variazioni su un Oggetto di Scena, Variations on […]
Continue Reading →