January 17, 2014 · Speculation
Lear is a play [that] contains a great deal of veiled social criticism — but it is all uttered either by the Fool, by Edgar when he is pretending to be mad, or by Lear during his bouts of madness. In his sane moments Lear hardly ever makes an intelligent remark. George Orwell, in Lear Rodeo […]
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December 20, 2013 · Absolute Solipsism
Solipsism at the circus. Circus Center, San Francisco
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December 19, 2013 · FalseArt
Arnold Schwarzenegger’s Hamlet Arnold doing “To be or not to be” with a cigar clenched in his teeth and a .44 in his hand is the most honest fucking Shakespeare you’re ever going to see. You want purity? You want authenticity? Go watch some Yale Drama School graduate emote at you for three hours. What […]
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December 13, 2013 · Industries
Damn everything but the circus!…The average ‘painter’ ‘sculptor’ ‘poet’ ‘composer’ ‘playwright’ is a person who cannot leap through a hoop from the back of a galloping horse, make people laugh with a clown’s mouth, orchestrate twenty lions. E.E. Cummings, Staging Modern American Life: Popular Culture in the Experimental Theatre of Millay, Cummings, and Dos Passos, Palgrave Macmillan, 25 October 2011, p. 60 […]
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December 12, 2013 · Collusion
So it’s basically a haircut. Performance art as a goddamn haircut. Niki with scissors, Michael sitting there probably feeling vulnerable and exposed and wondering if this is profound or if he’s just getting a trim in front of an audience that showed up because there was cheap wine and they knew the artists. And you […]
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December 12, 2013 · FalseArt
The Thing About Knives and Beauty So here’s Amélie Ségarra, a French ballerina, standing on top of a grand piano in some gorgeous, empty Baroque theater in Girona that’s seen better centuries. But she’s not wearing regular pointe shoes, those pretty pink torture devices that already mangle feet into gnarled question marks by age twenty-five. […]
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November 24, 2013 · FalseArt
Here’s the thing about live performance that all our academic seminars and theoretical frameworks can’t quite capture… it’s a fucking high-wire act where the wire is invisible and everyone’s pretending it doesn’t exist until someone falls. What we’re witnessing here isn’t just a “mistake”, that reductive, bourgeois term we use when our pedagogical comfort zones […]
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