April 21, 2016 · Industries
Contemporary chamber ensemble Wild Rumpus perform Fausto Romitelli’s 2003 video opera An Index of Metals at Freight and Salavage in Berkeley. Nathaniel Berman conductor…
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April 13, 2016 · Industries
A zookeeper, a docent, an animal behaviorist, and a mental health professional arguing over the proper protocol for a conflicted anteater. That’s not theater, that’s a fever dream someone had after reading too much Ionesco while working at a municipal zoo. It’s beautiful. It’s completely deranged. It’s exactly the kind of thing that makes you […]
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April 8, 2016 · Engineering
At 6:57 a.m. on April 7th, 2016 (this specificity matters, that exact fucking minute matters) Muriel Maffre, Ryan Tacata and myself dragged our asses up Slacker Hill in the Marin Headlands to do something either profoundly necessary or completely insane. We performed fragments of a lost Euripides tragedy, one of those plays that got shredded […]
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April 8, 2016 · Engineering
The thing about standing on a hill in the dark waiting for the sun is that you’re participating in the oldest ritual humans have, the one where we gather to witness something larger than ourselves and somehow make it mean more by being there together. So we’re up here in the Marin Headlands with the […]
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March 26, 2016 · Speculation
Speculation: Rehearsing Sophocles #116. Fantastic rehearsal/experimentation/playing/imagining with amazing people at sunrise under a full moon… for Sophocles Savage Blasts. Here’s what the photographs don’t tell you: it’s cold as hell out there at the Wave Organ at dawn. The bay doesn’t care about your artistic intentions. The concrete under your feet is unforgiving, and the […]
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March 18, 2016 · Industries
The body is living art. Your movement through time and space is art. A painter has brushes. You have your body. Anna Halprin The city that gave us the Beats and the Summer of Love is turning into an open-air dormitory for software engineers who make more in a year than most families see in […]
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March 17, 2016 · Speculation
Derek isn’t here to make pretty ambience; he is hunting for the frequency where ancient violence meets the Pacific’s indifference, and somehow in this process the conceptual exercise transforms into something I can actually feel in my chest, the kind of site responsive work that doesn’t explain itself or apologize, that just exists in a […]
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