Speculation: exploring a new performance space… Euripides‘ Andromeda?
Walking affirms, suspects, tries out, transgresses, respects, etc., the trajectories it “speaks”. All the modalities sing a part in the chorus, changing from step to step, stepping in through proportions, sequences, and intensities which vary according to the time, the path taken and the walker. These enunciatory operations are of an unlimited diversity.
Michel de Certeau, The Practice of Everyday Life